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Full Summary

This book is part of the compilation of Chinese Nuo drama scripts — "Guangchang Meng Opera". Edited by Zhu Hengfu, it collects various scripts of Meng Opera from the Guangchang region, aiming to promote and pass on this traditional art form with strong local characteristics.

The book introduces the historical origins, performance styles, and religious beliefs of Meng Opera, and provides detailed analysis of important scripts such as "Da Qian" (Beating Money), "Bao Tai" (Reporting to the Stage), and "Pai Chao" (Arranging the Court). These scripts not only reflect the local people's lifestyle and social customs but also embody the cultural heritage and spiritual pursuits of the Chinese nation.

Notably, the uniqueness of "Guangchang Meng Opera" lies in its strong religious elements. Meng Opera is a form of sacrificial ritual, seeking blessings and protection from deities by impersonating them. Therefore, Meng Opera is not only an artistic expression but also a manifestation of religious belief. This unique cultural phenomenon is worthy of our in-depth exploration and research.

For readers who appreciate Chinese traditional culture and theatrical arts, this book is a precious cultural heritage. For professionals engaged in drama research and cultural exchange, it is an indispensable reference. Whether as general readers or professionals, one can gain rich knowledge and insights from this book.

 

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